Formal attributes including beauty are absolutely central when it comes to producing anything that should function well.Ībout 10 years ago I went to a design conference at the Memphis Convention Center, and at the time I was still smoking and so I spent a lot of time outside by myself smoking. After having been doing this for 30 years, I came to believe strongly this is wrong. I meet many young designers stating the same. When I was a young designer I believed that it's all about the idea and that form and style are secondary. Designed objects tend to be more democratic because they can be endlessly reproduced and sold much cheaper. He felt his work was distinguishable from that made by designers, as his chairs did not have to follow the laws of common sense or practicality. He wanted to bring social meaning and public relevance back into art and started designing “pragmatic structures”, sculptures you could also sit on. He thought it had become a cult, busy with creating a private language that is legible only for a selected few. More recently, the performance artist Scott Burton became fed up with the art world.

In many ways his operation was closer to that of a modern advertising agency than a single artist toiling away with no purpose.

Peters cathedral, he was running a giant studio employing dozens of sculptors, so of course he designed a colonnade buzzing with sculptures. At the time Bernini was designing the plaza in front of St. The orange trees were a symbol for the Medici’s, so he basically placed the clients giant logo right into the picture. Sandro Boticelli had to fit his Venus exactly into a given panel in the living room of the Villa of Castello for the Medicis.

Function used to be part of the very heart of art, so all art was also close to being design: In the Renaissance, art had to work hard for its reason for being.

Sagmeister things i have learned